Devil's Tale

Gypsybilly King

Zegna pinstripe suit, black Biltmore Eleganza fedora and Ted Baker tie: Adrian Raso is a sharply dressed man. The Toronto guitarist cuts a raffish figure, as he plays observers might just imagine him having succumbed to the old blues myth of selling his soul so to become a master musician. Raso defiantly blends a vast musical vocabulary that sees his supple guitar technique reference Django Reinhardt’s Gypsy jazz stylings and Brian Setzer rockabilly licks, whilst his diverse songwriting channels Johnny Cash’s ghost and deep south voodoo - drawing a clear line through these disparate yet similar musical-sociological traditions. Raso, a self-taught virtuoso, first became enamored with the guitar’s possibilities as a child upon hearing the might of sound Prince conjured up on Let’s Go Crazy. Cutting his teeth playing tough Toronto dive bars, Raso came to realise he preferred forging his own path. Having released several solo albums in Canada, Raso’s 2014 collaboration with superstar Eastern European Balkan Gypsy brass band Fanfare Ciocarlia “Devil’s Tale’” ( Asphalt Tango Records ) secured his international reputation. Never before had East met West so successfully, the album, one of the first to combine Balkan/ Gypsy style rhythms with Mediterranean music, charted #1 on the World Music Charts and earned wide critical praise and a myriad awards. Raso brings us his follow up and 10th studio album Aptly titled “Gypsybilly King”. Blending furious Rockabilly guitar with influences ranging from Country Western, Romanian Hora, deep south Blues and Italian Tarantella. Raso seamlessly moves us from a smoky room in Paris to an after-hours bar in Prague, before quietly taking us down a dusty road in Texas, until finally settling in the dark streets of New Orleans. Mixed and mastered by Grammy Award-winning engineer Bob St. John, the album also features collaborations with the likes of Prince’s drummer Michael Bland, The Stray Cats bassist Lee Rocker, along with multiple members of Del Bel. Primed by his earlier European success with “Devils Tale”, Raso is determined to leap forward and spread his unique sound further into Europe with the release of “Gypsybilly King” on October 25th.

Canadian guitarist blending gypsy jazz guitar with folk, blues and traditional gypsy roots. 

Adrian Raso 

The Eastern European force field of Balkan brass music meets Canadian Gypsy swing & jazz guitar.

Legend has it that the Devil likes to frequent crossroads, cutting deals for souls and spinning his cunning yarns. Yet not all crossroad pacts are diabolical; some are just damned brilliant. Take the crossroads encounter behind Devil’s Tale, where the eastern force field of Balkan brass meets Gypsy jazz guitar, as Romania's Fanfare Ciocarlia joins up with Canadian guitarist Adrian Raso. Fanfare Ciocarlia are a 24-legged brass beast whose eastern funk groove has torn up halls and festivals across the planet. Raso is a master guitarist, deeply versed in the French Manouche / Gypsy jazz stylings of Django Reinhardt. Could a string musician find a way into Fanfare's fierce Balkan brass blast? Could the legends of brass adapt their horns to the fluid eloquence of a jazz guitarist? The answer, as heard on this album, is one of brilliant defiance. Dig the rush: the Romanians and the Canadian have created a sound that rips and swings and roars.

Adrian Raso has dreamt of this project for years. The gifted guitarist possesses a vast musical vocabulary rooted in Gypsy jazz yet, in his fleet fingers, capable of referencing metal, Latin, funk and his family's Italian tarantella roots. Raso built his virtuoso reputation playing Toronto's toughest clubs as a teenager. More than two decades later he remains on a musical quest that demands he challenge himself. The quest lead to him reaching out to Fanfare Ciocarlia - the Romany Gypsy orchestra from the "invisible" village of Zece Prajini in north eastern Romania - who blast a fierce, very individual brand of Balkan brass. Both Raso and Fanfare share a love of Django Reinhardt and big band jazz but initial concerns surrounded whether their very different backgrounds would allow for a common musical dialogue to ensure.

"Meeting the band was a great experience," says Raso. "We bonded instantly. We joked about being separated brothers as it really did feel like that. Musically we understood each other from the get go."

Fanfare Ciocarlia are the world's greatest Balkan brass band. When a band is at the top, the undisputed heavyweight champion, they have two options: either get lazy and repeat themselves or seek out new challenges. Fanfare Ciocarlia are hungry men and, having seen too many Balkan brass bands descend into the farce of playing-standards-too-fast or allowing tone deaf DJs to exploit them as decoration over a lame electronic beat, they chose to broaden Balkan brass's vocabulary. Meeting Adrian Raso gave Fanfare the perfect musical foil.

Across several chilly Toronto days the Romanians and the Canadian came together. Raso called in several heavy friends to contribute to sessions. These included legendary guitarists John Jorgenson and Rodrigo (of Rodrigo & Gabriela) and rock drummer Kevin Figueiredo (of Extreme). This album - reaching down to New Orleans, across the Atlantic to Paris, deep into the Balkans and back through decaying Detroit to Toronto's grandeur - is the result. What wild beauty these men created! Raso's guitar sets off on a fluid journey, caressing and cajoling the horns who tell tales of a music that has ancestors in Africa and India, one shaped in old Europe and young America. Perhaps no one involved guessed such wild beauty would result from these sessions. Here it is: Adrian Raso and Fanfare Ciocarlia have created a music rooted in jazz and the Balkans, a sound full of history but looking towards the future. No clichés here - No gimmicks. Just obsessed musicians all determined to raise their game and chase sonic dreams. Spread the word - here is magic that might charm even jaded old Mephistopheles!

A journey from dusty Balkan roads, to deep south swamps, from Parisian rooms to Gypsy bars in Prague. Zegna pinstripe suit, black Biltmore Eleganza fedora and Ted Baker tie: Adrian Raso is a sharply dressed man. 

A journey from dusty Balkan roads, to deep south swamps, from Parisian rooms to Gypsy bars in Prague. Zegna pinstripe suit, black Biltmore Eleganza fedora and Ted Baker tie: Adrian Raso is a sharply dressed man. The Toronto guitarist cuts a raffish figure, as he plays observers might just imagine him having succumbed to the old blues myth of selling his soul so to become a master musician. Raso defiantly blends a vast musical vocabulary that sees his supple guitar technique reference Django Reinhardt’s Gypsy jazz stylings and Brian Setzer rockabilly licks, whilst his diverse songwriting channels Johnny Cash’s ghost and deep south voodoo - drawing a clear line through these disparate yet similar musical-sociological traditions. Cutting his teeth playing tough Toronto dive bars, Raso came to realise he preferred forging his own path. Having released several solo albums in Canada, Raso’s 2014 collaboration with superstar Romanian brass band Fanfare Ciocarlia “Devil’s Tale’” ( Asphalt Tango Records ) secured his international reputation. Never before had East met West so successfully, the album, one of the first to combine Balkan/ Gypsy style rhythms with Mediterranean music, charted #1 on the World Music Charts and earned wide critical praise and a myriad awards. In 2019 Raso released his follow up and 10th studio album aptly titled “Gypsybilly King”. Blending furious Rockabilly guitar with influences ranging from Country Western, Romanian Hora, deep south Blues and Italian Tarantella. Raso seamlessly moves us from a smoky room in Paris to an after-hours bar in Prague, before quietly taking us down a dusty road in Texas, until finally settling in the dark streets of New Orleans. Mixed and mastered by Grammy Award-winning engineer Bob St. John, the album also features collaborations with the likes of Prince’s drummer Michael Bland, The Stray Cats bassist Lee Rocker, along with multiple members of Del Bel.

'... A fun project and a fortuitous introduction to Adrian Raso.'

Adrian Raso 1

"...Dessen Swing-Gitarrenmusik hat der coole Kanadier voll verinnerlicht ohne Rockabilly, Country & Western, italienische Tarantelle und schmutzigen Südstaaten-Blues zu vernachlässigen..."

Adrian Raso 2

"...Subtle, charming and extremely listenable, this is an album to savour."

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Adrian Raso

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